![]() All of this is simulated using impulse responses (IR). speaker size, number of speakers), but also the mic selection and mic placement. The cab section includes not only the speaker cab configuration (e.g. Perhaps the part of the rig that has the greatest impact on the final tone is the cab. How does the amp respond to dynamics? How does it break up when pushed? What is the character of the power amp break up? These are all things that are unique to every amp model, and each of these qualities must be carefully recreated in order to capture the character of the amp. This is what we all came here for right? Here you will typically find volume, gain, and tone shaping controls, but much of the magic is baked in. Running a boost or a gain pedal into the front end of a traditional amp can really get the preamp tubes cooking, producing more breakup, and the same is true here. All of these effects are those that typically are run into the input of an amp rather than the FX loop. In the case of the Tone King Imperial Mk II plugin, this includes a wah pedal, and a stompbox section including a compressor and two overdrive pedals. This section contains digital models of stompboxes that are placed before the amp in the signal chain. ![]() What are those components you ask? Here’s a rundown of the sections in the Tone King Imperial MKII. I will be using Neural DSP’s Tone King Imperial MKII plugin as an example, but most amp sim plugins will contain similar components. Upon opening a guitar plugin, you will be greeted by a digital recreation of each of the components mentioned previously – aside from the guitar, but you’ve got that covered. In the next section, we’ll go through each section of a guitar plugin using Neural DSP’s Tone King Imperial MKII plugin, and detail how each will contribute to the total guitar sound. Additionally, controls for mic and cabinet selection and mic placement give the user supreme control over their sound. Most guitar plugins will have a graphical user interface that mirrors that of an IRL amp, giving the user controls for volume, gain, and tone similar to the controls found on the amp being modeled. The plugin takes the dry guitar signal from the interface, applies gain staging, EQ, effects, and a speaker simulation to create the sound of a complete guitar setup. Alternatively, as is the case with Neural DSP’s plugins, a standalone version of the plugin may also be available that can be used independently, without the need for a DAW. Once downloaded and installed, a guitar plugin can be opened inside of a DAW and applied to an audio track, much like effects such as reverb or compression. ![]() Read on to learn how they all come together in a plugin. Sounds like a terrible idea, but you’re free to give it a shot).Ī typical recorded guitar setup will include the following components in its signal chain. Examples include stereo setups, wet/dry/wet, or running several amps in parallel (Or series for that matter. In addition to being able to recreate the classic amp sounds, with plugins, you can achieve setups that are impossible or wildly impractical with physical amps. Simply put, guitar plugins simulate all of the parts of a recorded guitar amp in software, allowing the player to call up any amp they want for recording in a DAW, practicing through studio monitors, or playing live through a PA. All of that guitar amp goodness can be recreated in software form in painstaking detail, resulting in plugins that are audibly indiscernible from their traditional amp counterparts – with some extra bells and whistles to boot. So there are some downsides to a traditional amp setup. However, did you also know that amps are like really heavy, and often need to be really really loud to sound their best? Amps also take up space and cost money, meaning (hypothetically speaking) you can only own so many of them. The classic tones produced by tried and true amplifiers are at the very fabric of what we think of when we think of guitar.
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